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One star until I hear the rest of the show."īut the dude never did return. It is also missing the last song of the first set, Casey Jones. Have to give this 5 Stars to bump things uP,ġ), To try to make Up for this review below.īut noticed that it's missing the first song, Promised Land. I come not to bury her but to praise her.
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Thanks Archive and all the tapers who make this site so amazing. To think I sit here 37 years later and listen to that music once again is really mind-boggling. The truth remains – “There is nothing like a Grateful Dead concert!” The second set was mostly a state of ecstacy, and when the lights hit the mirror ball as the band hit “Sunshine Daydream,” ... what can I possibly say? My eyes fill with tears and my heart still throbs as I think about it. This was in a hockey rink with no seating in the center area, so there was plenty of space for dancing and swirling and jumping for sheer joy. It was even better as I was with my lady love and my very best friends. Instead, we dropped some very strong blotter acid before the show, so by the middle of the first set, everything was flashing, flashing, flashing. The word from people who attended the night before was that, “the pigs were heavy,” so we did not smoke in the arena. I don’t remember much detail about that night, we were mighty high. I was a student in Albany, and had only recently started getting into the Grateful Dead when they played the two-night stand in Utica, NY. This was my first Grateful Dead show, and to this day stands out as one of the highlights of my life. I am not discerning or experienced enough on this site to comment on a lot of the technical stuff - it sounds great to me. It's worth mentioning that the Grateful Dead and Upstate New York seemed to have a happy marriage that commenced in the spring of 1970 and continued throughout the rest of their quarter century together, creating a nice fusion of perfect atmosphere, sound, and feeling. The highlight of the suite, however, is the glorious Other One which is among the best of the year. The second set offers a meaty Truckin'->Nobody's Jam->The Other One->Eyes of the World->China Doll that flows right nice. This version (along with 2/15) are the best of the early versions before this song really took flight by the fall of the year. A stellar Here Comes Sunshine will take you where you need to go (if you aren’t there already). The second set offers one even more tasty treats.
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A nice China->Rider that's sadly cut at the beginning, keeps up the momentum before a very strong Playin' (in typical '73 fashion) closes the first set. A decent Jack Straw is executed before Phil offers his semi-sarcastic "fire aisle" rap. While it may not be in the same class as 3/16 or 6/22 of this year, it's still a treasure to behold. The first set contains a lush and poetical Bird Song that really spreads it's wings and takes flight to places you'll enjoy visiting. What’s better, the sound and ability we all have to participate in their dream. As a single conglomerate membrane sifting through consciousness for some higher meaning.Īs always, the Grateful Dead in their token year of pure joy, 1973. When the band puts their instruments down, and throw up their hands in exhaustion - the creativity never stops (As they mention in 1977), but funneled through the experience of joint playing. That’s always the marker of a great show in my opinion. Maybe they weren’t interested in starting anything at all, and the mysterious road to getting “warm” is found when they’re done playing. However, the finale of the first set asks another interesting question. That was their speed, back then.Īlthough in this breath - of a wonderful time in their history, what else possibly could you ask for them to ponder, if not the intricate dimensions, pockets of information that are only discernible through the languid jams in these ‘73 songs.Īs always, the second set is where the Meat+Potatoes can be found. But, when the majority of time is spent in blues travels…what time is left to pioneer? 30 minute Love-lights come to mind. Sure there was 1969 and sparse details in 1972.
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Outer-worlds of the NorthEast are smashed by jams previous tours could only dream of experiencing. It’s the responsibility of the Dead to improve on technical standings of 1973, but even through the mid-Spring, I’ve noticed, they take a seemingly unnoticed progression towards the cosmic.